Monday, September 11, 2017

Cultural Appropriation

Three Cheers for Cultural Appropriation. By BARI WEISS, New York Times
Excerpt: I haven’t watched MTV’s annual Video Music Awards since Bill Clinton was president. I was wearing a plastic choker and Alanis Morissette won for “Ironic.” But I wish I had tuned in this Sunday night. The award show was a veritable orgy — not of sex, but of cultural appropriation. First up was Kendrick Lamar, whose backup dancers wore ninja outfits as they scaled a wall of fire. While the popular rapper went home with an armload of trophies, he was criticized for borrowing Asian dress. Later, Katy Perry, who just recently finished an apology tour for her previous sins of cornrows and kimonos, “snatched” off her long blond wig — a bit that was torn apart for caricaturing African-American women. Luckily for Ms. Perry, the floodlights lingered longer on her nemesis, Taylor Swift, who unveiled a new video that was immediately blasted for appropriating Beyonce’s “Lemonade.” Speaking of Queen B, I’m just waiting for the charge that she’s exploited Persian culture by naming her new daughter Rumi after the 13th-century Sufi poet. And that’s just the rap sheet from a single night in pop music. Charges of cultural appropriation are being hurled at every corner of American life: the art museum, the restaurant, the movie theater, the fashion show, the novel and, especially, the college campus. If there’s a safe space left, I’m not aware of it.

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